We need more transparency in ghostwriting, not more squeamishness.
The ghostwriter label channels the collective unease of taking credit for a book in which every word didn’t flow from our own pen. So we cover it with a cloak of invisibility and make it vaguely mysterious. I’m fine with invisibility, it’s the mystery that irks me.
I help professionals transform their business model or viewpoints into a book. We work face-to-face, voice-to-voice, in detailed explorations of their ideas.
Then I retreat, absorb, and write from recorded transcripts that capture both the content and voice--not my voice, but my author/client’s voice.
With a working manuscript in front of us, we begin again--shaping the manuscript into a book. Fidelity to the ideas isn’t enough; the author/client’s voice must inhabit every word.
It’s never easy, and it getting it right can be hard as hell. But there’s nothing shadowy about it, and my author/clients talk about the details of our collaboration without apology. No secrets. No ghosts.
When I’ve written a book that makes a great read of an original idea, I don’t need my name on the cover. But I will keep clanking around here and there, making enough noise so that the honorable work of writing is visible under the ghost’s sheet.
The ghostwriter label channels the collective unease of taking credit for a book in which every word didn’t flow from our own pen. So we cover it with a cloak of invisibility and make it vaguely mysterious. I’m fine with invisibility, it’s the mystery that irks me.
I help professionals transform their business model or viewpoints into a book. We work face-to-face, voice-to-voice, in detailed explorations of their ideas.
Then I retreat, absorb, and write from recorded transcripts that capture both the content and voice--not my voice, but my author/client’s voice.
With a working manuscript in front of us, we begin again--shaping the manuscript into a book. Fidelity to the ideas isn’t enough; the author/client’s voice must inhabit every word.
It’s never easy, and it getting it right can be hard as hell. But there’s nothing shadowy about it, and my author/clients talk about the details of our collaboration without apology. No secrets. No ghosts.
When I’ve written a book that makes a great read of an original idea, I don’t need my name on the cover. But I will keep clanking around here and there, making enough noise so that the honorable work of writing is visible under the ghost’s sheet.

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